If the space is dead, you may need to move the mics closer to the kit. Stereo Techniques For Overheads The method you use to space and angle the microphones determines the stereo image and phase coherence.
Optimizing Overhead Drum Mic Height for Better Stereo Imaging and Phase Coherence
AB (Spaced Pair) Technique: Two omnidirectional or cardioid microphones are spaced apart from 1 to 3 feet. Always listen for unwanted interactions, such as the overheads picking up too much bleed from the kick drum, and adjust the angle to point slightly inward toward the snare if necessary.
In a lively room, the overheads will capture beautiful natural reverb, allowing you to set the drums further back in the live room. The following common techniques offer different perspectives on the kit: XY (Coincident) Technique: Two directional microphones are positioned at the same point, angled between 90 and 130 degrees.
Optimal Overhead Drum Mic Height for Best Sound
Managing Phase And Isolation Phase cancellation is the primary enemy of overhead placement. Practical Tips For Real-World Scenarios In a live room, room ambience plays a significant role in the overhead sound.
More About Overhead drum mic placement
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